Day 7 : An Oil a Day 30 Day Challenge . . .

Day 7 : Untitled

Wow, a week! Seven days and seven paintings!

I have impressed even myself with this 'every day' thing.

Okay, what did I learn today?

That there are more artists than just me who paint the same subject matter more than once. I have been reluctant to repeat landscapes or clouds or grass because I think (well, who know what I think?) that it simply isn't done.

Boy, was I wrong.

Last night I got out a few basic painting and color theory books and found that this is exactly what I should be doing if I ever intend to improve on whatever my subject matter happens to be.

Duh.

So there will be more gravel roads, more grass, more skyscapes, more more more.

Now I'm getting a bit more excited about this process.

All things unfold in their own time but I seriously wish I'd not been telling myself for these last 40+ years that I could not paint.

Detail : Oil on canvas

8"x8"

Day 6 : An Oil a Day 30 Day Challenge . . .

Day 6

Okay, here's the deal.

Sometimes the magic works and sometimes it doesn't.

Here it doesn't quite make it.

Yesterday I started this landscape three times and three times I wiped it off.

Today, I was determined to stick with it.

I'm not happy with the way it went but I am happy that I 

held in there and finished the job.

Details : Oil on canvas

5"x7"

Developing . . .

Passing

I am trying to find the mental art-link between the metalwork I am used to doing and the watercolor I am getting used to doing.  Is the link the color?  

The high contrast?  The composition?  

Or is it the difference between the two media that captures me?

Is it the color mixing?  The achievement of depth?  The lack of edge?  

Or letting the materials do their little jobs?

I would love to give credit for the reference photos I used in this composition but no idea where they came from.  Only that I saved and printed them a long time ago.  

So 'thank you' whoever you are.

High Wind Warning . . .

High Wind Warning

Trying my hand at quick watercolor to start to loosen my grip.  This one took maybe 15 minutes, my personal time limit.  The subject particularly apropos lately as the wind will not let up and grass fires are everywhere, sadly.  Destruction has been minimal but this always has the potential to be devastating.

Be careful out there.

I should take a lesson . . .

I need to work smarter.

Here is the one and only and obviously the best picture I have of a piece I finished last week and decided at the last minute to take to a one evening trunk show at a local gallery.  

A gorgeous slice of Rocky Butte Jasper that I cut and polished and a stone I thought had a beautiful plains scene in it - grassy foreground, low Western Nebraska sandy buttes and a brooding spring sky.  I set it simply in sterling silver and accented it with a copper set loop and two copper rings, and finally pierced the Big Dipper on the back.  No picture of that because what happened was a surprise to me although my friends will tell you that it was no surprise to them.

It sold.

First buyer in the door made a bee line.
And hardly an inexpensive piece.

Lesson #1 - take better pictures of everything

Lesson #2 - I should be working on lapidary and more impressive pieces

I know.

duh.